Each year since 2000, UNICEF Germany has awarded the “UNICEF Photo of the Year Award” to photos and photo series that best depict the personality and living conditions of children worldwide in an outstanding manner.
The internationally renowned competition is aimed at professional photographers. An independent jury decides on the winners.
Here we present both the winning photos and information about the photographers.
For the first time in the 25-year history of the UNICEF Photo of the Year, the jury has therefore awarded two first prizes. The Jury of the UNICEF Photo of the Year, acutely aware of the very different numbers of victims in Israel and Gaza, did not presume to establish a ranking of suffering. Regardless of who is to blame from whose point of view, two photographers on both sides of the front have contributed equally to painting a universal picture of the fate of children during the war. Their pictures show no blood, but restraint. They are a cautious yet striking portrait of a serious trauma. These haunting images will continue to serve as a warning to us even when the guns hopefully fall silent one day.
Avishag Shaar-Yashuv
Israel: Portraits of the survivors
Samar Abu Elouf
State of Palestine: Wounded children of Gaza
They survived the horrors of the Hamas massacre in their kibbutzim on October 7, 2023. They are fourteen and 13 years old, or 17 and taken hostage for 51 days. Their faces, such as that of eight-year-old Stav, are a window into their souls: they show confusion, desolation, and anguish.
Israeli photographer Avishag Shaar-Yashuv portrayed them in a hotel that was temporarily used as emergency shelter by many of the victims of the Hamas attack.
Avishag Shaar-Yashuv has hauntingly captured the look of children who see their previous lives lie completely in ruins.
Avishag Shaar-Yashuv, born in 1990, has been photographing for Israeli and international media, including The New York Times and DIE ZEIT, for around ten years. From Israeli fashion designers to Ukrainian refugees and green communities, she has already reported on a wide variety of topics. Shaar-Yashuv describes her portraits of the survivors of the Hamas attack as her most important work to date. She witnessed the funeral of friends who were victims of the massacre, and wants the world to see the deep sadness that is rooted even in those who outwardly appear unscathed.
They survived the bombing of residential areas in Gaza by the Israeli air force. They are two, four, five, nine, 13 or 15 years old. They have been dug out from under rubble. They are paralyzed, have lost their eyesight, arms, legs, hands, often their parents and sometimes even their entire family. Among them are Dareen, 11, and her brother Kinan, five years old, the only survivors of a family wiped out by an air strike. This picture, reminiscent of old master still life paintings, vividly shows the dignity of children even in the worst emotional distress.
Palestinian photographer Samar Abu Elouf portrayed these children in a hospital in Qatar, where they were brought to safety.
Their faces show confusion, desolation, and anguish.
Samar Abu Elouf, born in 1983, taught herself photography with borrowed cameras. Initially not taken seriously by professional photographers, Abu Elouf became one of the bravest and best photojournalists in Gaza. Since 2010, she has worked as a freelance photographer for Reuters, The New York Times, the International Committee of the Red Cross and others, receiving awards from the International Women’s Media Foundation and the British Royal Photographic Society. For the safety of her four children, she accepted an offer to live in Qatar for a while.
Formerly known as monkeypox, a rare viral disease known as mpox has been on the rise in parts of Africa for some time. The Democratic Republic of the Congo is one of the worst affected countries with approx. 40,000 suspected cases, more than 8,000 confirmed cases and over 1,000 deaths so far. For the second time since 2022, the WHO has declared the highest alert level for the virus. There have also been confirmed cases of mpox in the USA and Germany.
Although there is a vaccine against mpox, the supply is insufficient, especially in poorer countries. Children are particularly at risk. The symptoms include a rash with blisters or sores (ulcers) and pneumonia, brain inflammation, eye infections and even loss of sight. French photographer Pascal Maitre went to the most affected areas and documented the treatment of children at Kavumu Hospital in the Kivu region in eastern Congo. One of them is seven-month-old Japhet, whose blisters are being treated with the antiseptic dye ‘Gentian Violet.’ His 19-year-old mother Christevi cares for and looks after the little one.
The health station where adults are also treated is only sparsely equipped. Nevertheless, it is still better there than the mud floor of their huts or in camps like the one in Busharaga. There, the virus can easily spread among the 16,000 internally displaced people.
Pascal Maitre, born in Buzancais in 1955, mostly reports from Africa and has been one of the most internationally renowned photographers for decades. After studying psychology, he started his career as a photo journalist with the Jeune Afrique press group. His photo series from over 40 African countries, as well as from Latin America, the Middle East, Afghanistan, and Siberia are regularly featured in major magazines in France (Figaro Magazine, Paris Match), Germany (GEO, Stern) and the USA (National Geographic). Maitre has reported on how 650 million people in Africa manage without electric lighting or that millions depend on charcoal, along with its environmental impact.
According to a WHO study, one in ten children worldwide is born before the 37th week of pregnancy, meaning three weeks prematurely. Every missing week makes their start in life that much more difficult. This is especially true for extremely premature babies who sometimes have to take their first breaths after less than 32 or even 26 weeks of pregnancy, mostly the effect of insufficiently developed lungs and reduced kidney function. Worldwide, death resulting from premature birth is the second most common reason for not reaching the age of five.
Even in industrialized nations, there are more and more premature births, which is mainly because mothers are increasingly older at birth. However, medical care for premature babies has made great progress, at least in rich countries. It has even been possible to save a premature baby who was born at just 22 weeks, measuring only 26 centimeters and weighing a mere 245 grams.
French photographer Maylis Rolland’s photo series shows the wonderful moments at the University Hospital of Rennes, where the fragile lives of tiny babies are stabilized with the help of medical equipment and intensive human care. Like, for example, the moment when tiny Gabin, born after 25 weeks of pregnancy and still wearing a breathing mask, touches the face of his mother Doriane.
Before becoming a photographer, Maylis Rolland, born in 1984 and living near Nantes, worked as a biology and geology teacher. She is particularly interested in environmental and health issues. Her work is regularly published in French media such as Le Monde and has been shown at photo festivals in Perpignan and Paris, among others. Most recently, almost seven percent of all births in France were premature. The Rennes University Hospital is viewed as one of the most advanced in the country when it comes to the care of premature babies.
Each year since 2000, UNICEF Germany has awarded the “UNICEF Photo of the Year Award” to photos and photo series that best depict the personality and living conditions of children worldwide in an outstanding manner. Here you can see the award winners of the past 25 years.
If you require further information or have any questions, please do not hesitate to contact us. Please get in touch with our press contact: presse@unicef.de
Can images change the world? Can they help to make it a better place? We often hope so. And this hope is often disappointed. Yet images are imbued with a special power. Not only on an emotional level. After all, they are also a medium for what we know about the world.
Can the UNICEF Photos of the Year change the world? Probably not. But they can change what we know about the world. And our attitude to what they show us. They show us children who deserve our respect. Our admiration. Our compassion. And if they encourage us to help where it is needed, then they are at least a step towards bringing a little light into the darkness.
Peter-Matthias Gaede is a member of the German Committee for UNICEF, long-standing editor-in-chief of GEO magazine and a jury member of the UNICEF Photo of the Year award.